Footwork: The Choreography of Collaboration
WITH DESIGN CORE DETROIT + PUBLIC DESIGN TRUST
Curation, management, and exhibit production for the 10th Biennale Internationale Design Saint-Étienne.
The Work Department led the founding of Public Design Trust, a collaborative dedicated to exploring the future of network-based working models. As steward of Detroit’s UNESCO Designation, Design Core Detroit collaborated with Public Design Trust to present an exhibition at the 10th Biennale Internationale Design Saint-Étienne. Detroit was chosen as a guest city by Saint-Étienne inspired by their shared history of manufacturing and craft.
The exhibition, Footwork: The Choreography of Collaboration, explored network-based working models and their connection to systems planning and the interconnected movements that strengthen organizations and communities. It celebrated Detroit’s innovators, sparked new cross-genre, cross-generational collaborations, and reimagined the evolving future of work in the city.
The project team connected organizations with artists and designers to develop new projects. The following examples featured in the exhibit demonstrate how Detroit organizations are leveraging design and creativity to develop shared spaces and cooperative resources:
Thing Thing x Lear Corporation: Detroit-based design collective Thing Thing, known for creating innovative products from industrial materials, partnered with Lear Corporation, a global leader in automotive seating, to reimagine uses for material waste from Lear’s seat-making operations. Together, they applied Thing Thing’s unique fabrication process to explore new possibilities for discarded materials.
Detroit Sound Conservancy: A nonprofit dedicated to preserving Detroit’s rich musical history, the Detroit Sound Conservancy restored and repurposed the historic Blue Bird Inn stage. This iconic piece of Detroit’s jazz legacy was transformed into a modular, mobile programming and exhibit space, celebrating the city’s culture of collaboration, creativity, and music.
Assemble Sound & Underground Resistance: Assemble Sound, a collaborative hub for musicians, and Underground Resistance, a globally renowned techno collective, joined forces to work with musicians from Detroit’s Motown era. Together, they created a transcendent composition that bridges Detroit’s musical evolution, blending jazz, Motown, and contemporary sounds to honor the city’s living musical legacy.
Detroiters are developing shared spaces and cooperative resources that fuel the growing ecosystem. Through new prototypes of design innovation and collaborations, the exhibition emphasized transparency of process and “open source” resources that can be replicated, adapted, and scaled in order to improve accessibility and social mobility.
The design of the exhibition itself took cues from Detroit's rich heritage of social, cultural, and political innovation. This included the development of custom large-scale displays, pedestal signage, gallery guides, and digital content, all crafted to create an immersive and engaging experience that highlighted the city’s dynamic legacy.
WORKS FEATURED BY
Chris Schanck
Homes Eyewear
Brandstorm, Brand Architects
Michael Yang & Coalesse Design Studio
Tiff Massey
Sterling Toles
East Side Riders
Corine Vermeulen
Carhartt
Henry Ford Health System
College For Creative Studies
Aaron Jones, Wesley Taylor, Michael Demps
Desean Jones, Jon Dixon, Mark Flash, Shigeto, Sterling Toles, Waajeed, Hi Bias Recordings, Third Man Pressing
Detroit Sound Conservancy
Carole Harris
Jack Craig
Detroit Bikes
Alan Kaniarz, Möbellink Modern Furniture
Thing Thing